Category Archives: Uncategorized

The Missing Piece – What Most Antagonists Are Lacking

Some important thoughts to consider when creating your antagonist,

Story Life

Every reader loves a good villain, and most writers love them too.  If you rack your brain about some of the most memorable characters in books, movies, and on TV, I’d bet more than a few villains pop up.

I personally find antagonists fascinating.  Sometimes I find them even more fascinating than many heroes out there, and it’s difficult for me to take my attention and shift it back where it belongs (and before you say I should make my villain my main character, I’ve already done that a few times.  Great minds think alike!).

What’s interesting, though, is that when creating antagonists, more than a few writers forget the most important part.

A good antagonist isn’t necessarily just a villain at large in your story world – sometimes he or she isn’t even a bad person at all.  The most important thing to remember about your antagonist is that they are…

View original post 478 more words

Advertisements

Self-Publishing: How to Choose What’s Right, pt. 2

Faith Blum

Sel-Publishing Post 4

Today’s Self-Publishing post is part 2 of 3 in the “How to Choose What’s Right” posts. Today I will concentrate on editing and proofreading, as well as a few marketing tips I have learned. As always, feel free to ask questions and I will do my best to answer them.

Editing and Proofreading-What’s the difference?

When I first got into publishing I thought that editing and proofreading were pretty much the same. Then I heard other terms being bandied about: Line editing, copy editing, content editing, and proofreading. So, what is the difference and why are some more expensive than others?

View original post 1,058 more words

Self-Publishing: How to Choose What’s Right, pt. 1

From my friend, Faith Blum.

Faith Blum

Sel-Publishing Post 3Today is the third post in my Self-Publishing blog series. If you missed the first two posts find them here and here. Today’s post is the first part of three discussions on what to pay for and what to do for yourself.

How to Choose What’s Right pt. 1

AKA: What to do for yourself and what to pay for?

ISBN numbers- free or paid? For ebook only people, this is irrelevant since ebooks have ASIN numbers rather than ISBN numbers. However, if you do a hard copy of your book, you will need to have an ISBN number. Createspace (Amazon’s affiliate for self-publishing your hard copies) offers a free Createspace assigned ISBN. This is personally what I have used for each of mine. You can also choose Createspace’s $10 Custom ISBN option which allows you to use your imprint name. If you want to have yourself listed as…

View original post 329 more words

Self-Publishing: My Journey

Faith Blum

Sel-Publishing Post 1

Today begins a five-week blog series on independent publishing how-tos and tips. Today, I will start with my reasons for choosing the independently publishing route vs. the traditionally publishing route as well as share a little bit of my journey along the way.

Indie vs. Traditional

Duel

The indie publishing and the traditional publishing worlds have both changed a lot even since I first seriously looked into getting published in January 2013. For one thing, indie publishing is much more popular and for another, it isn’t that much different than traditional publishing anymore.

View original post 783 more words

A Study in Omniscient POV: Part 2

Continuing with Linda Yezak’s A Study in Omniscient POV

Linda W. Yezak

Billy CoffeyWednesday, I introduced the validity of the omniscient point of view as the perspective of choice for authors who are “after the kind of insight that comes from contemplating events rather than participating in them” (Characters, Emotions, & Viewpoint, Nancy Kress, p. 207). Billy Coffey used the POV in his newest release, In the Heart of the Dark Wood, and it took me a bit to get used to it.

Omniscient fell out of favor years ago, particularly in genre fiction. Authors today cater to the readers’ wish to engage in the story from under the character’s skin. But that doesn’t mean omniscient is “wrong” or a “bad choice,” particularly for literary fiction, which Billy’s novel is, and particularly when done well–which is the point of this post. Did Billy do it well?

I can’t find a list of points that make a good omniscient piece, so I’m going…

View original post 1,183 more words

What About the Other Guy? by Robin Patchen

Continuing resources for learning how to write in the POV of your choice and doing it well.

Linda W. Yezak

Thoughts and Emotions of the Non-POV Character

When I was a new writer first learning about Point of View, it seemed unconscionable to me that my readers might miss the nuances of what the non-POV character was thinking and feeling in a scene. I thought maybe my book was one of the few that really needed to be written from the omniscient viewpoint. I desperately wanted to embrace head-hopping as a valid literary choice.

Years have gone by, and I’ve seen the error of my ways. As an editor, I hear similar arguments from my clients. Unfortunately, the arguments don’t fly for them, either. It doesn’t matter that your favorite classical writer employed omniscient POV, and nobody will be swayed by the fact that some bestselling author head-hops all the time. When you’re a bestseller, you can break the rules, too. And maybe in a hundred years, your book will…

View original post 819 more words

A Study in Omniscient POV, Part 1

From my friend Linda Yezak

Linda W. Yezak

Billy CoffeyBilly did something in his new release that isn’t done much these days: he used the omniscient point of view. I haven’t seen it in modern works in so long that I had to study it again to find out what marks it as different from head hopping. I came to the conclusion that the only difference is intent.

Tom Clancy was the king of head hoppers, but since he was also the king of international/political suspense and intrigue, he could get away with it. Omniscient POV was once common in this genre, but latter authors, like Vince Flynn and Brad Meltzer, opted for distant third person instead. They tended to stay in one head throughout the scene/story, but focus remained more on actions than thought/emotion/intention, though they could reveal their POV character’s internal processes. Clancy revealed all the characters’ thoughts, emotions, or intentions within the same scene–sometimes the same paragraph.

Francine Rivers…

View original post 416 more words